About The Handmaid’s Tale

File:“Die Mütter” - Käthe Kollwitz ; Felsing (printer). Wikimedia Commons.

_ File:“Die Mütter” - Käthe Kollwitz ; Felsing (printer). Wikimedia Commons

I have had an uneasy relationship with The Handmaid’s Tale from the beginning while my wife has been all in on it. My uneasy relationship has multiple sources. To begin with, I find it unrelentingly bleak. There aren’t that many triumphs of good over evil and they can never be enjoyed for very long before the bleak returns. On some level I suppose it taps into my worst fears about the present moment in the United States. With daily stories of state legislatures passing draconian anti-abortion laws and of the constant threat of Christian Nationalism flooding the zone, life is imitating art a little to directly.

There also isn’t, for me anyway, a likable male character or any place for a relatively enlightened male to lodge himself in the program. Even the relatively good men, Luke and Nick, are hard for me to identify with. It feels to me like the writers don’t want us to get comfortable with any of the male characters because, at the end of the day, they all carry the patriarchy with them.

I am white, male, 6’ 1” tall and, my wife would say, handsome. In the United States of America this means I have been dealt a pretty good hand. I could only have done better if I had been blond and wealthy. Not that it has felt that way to me. I am an outlier, more a poet and artist than a rugged male individualist. I have not enjoyed the “full blessings” of my stature, gender and race, partly because I haven’t seen them as blessings. Still, it’s been a lot better than it would have been without them.

I count myself as one of the good ones in terms of respecting the women in my life. Broadly speaking, I love women. Broadly speaking, I don’t like men. Or perhaps, I should say, I don’t like patriarchal maleness very much. Until the likes of Lauren Bobert and Marjorie Taylor Green showed up in congress, I was fully rooting for a takeover of the levers of power by women, or at least that they should become equal in numbers to the men. And, more than many men, I have a deep appreciation of the patriarchy run amok from my experiences with the family I grew up in.

In both my marriages I have not been the main breadwinner. The first one didn’t handle that very well. There were a lot of things it didn’t handle very well which is why I can label it my first marriage. The present one tolerates it well, though I am not without experience in the power dynamic of not being the main breadwinner. I had flush times in my working life but they didn’t last and my present wife is the one who secured our retirement. As a means of compensating and saying thank you, I willingly take on most of the household work. I do the grocery shopping, meal planning and cooking, weekly laundry, weekly vacuuming and dusting, manage the finances, provide resident handyman services, though rarely with the alacrity my wife would like to see. My wife keeps the cash flow going, handles the dog grooming and care and sometimes helps with the other things. Because she doesn’t drive, I make it possible for her to get where she needs to go, which I am always happy to do though she doesn’t enjoy being dependent on me in that way. I am the one more likely to make a celebration at birthdays, anniversaries, holidays, etc.

So, I suppose I have a right to claim that I am relatively “woke” when it comes to gender roles and not being an oppressive patriarchal son of a bitch. I am sure I have my patriarchally driven elements just as I have my racially prejudiced elements, though I am relatively enlightened in that department too.

When I consider the LGBTQ+ spectrum and wonder if there is any part of it that I am drawn to it would be the transgender part of it. I can imagine myself being a woman and even played a bit at cross dressing in my younger years though I don’t really find myself physically capable of being feminine enough to go all in on it. That’s probably why I struggle with the character of June. To me, feminine is soft, curved and receptive. June is hard, angular and a warrior.

This isn’t to say that I am not attracted to women physically. I am very attracted to women physically. One of the sad things of my life is to have equated sex with love, expressed and received, as many men do, and then grow old. At least I was able to have a few profoundly good sexual communions along the way, especially with the woman I am now married to. They live on vibrantly in my memory.

So. Back to Handmaid’s tale. This past week we were watching episodes 7 and 8 of season 5. The episodes where Serena gives birth with June’s assistance. The episodes where Serena flips from a privileged woman to being a Handmaid. I didn’t like June very much in the scenes following the birth of Noah, Serena’s baby. I had been rooting for their recognition of each other’s humanity. Of course June had every right to hate Serena, but I was into the whole forgiveness turn the other cheek thing and thought they might thenceforward march together as comrades in arms. I guess there is more shit to go through before they can emerge to the other side together.

Serena is the character I identify most fully with right now. She is the soft and receptive one at the moment, though I can see flashes of the warrior surfacing in her. With June, it is the reverse. We see flashes of softness and receptiveness surfacing now and again in her warrior being.

I got really angry with June’s behavior towards Serena after Noah’s birth. She was mean, and not just to Serena, but to her husband Luke as well. When I first watched the eighth episode I got so angry I had to leave the room. I wen’t to bed. I couldn’t even talk about it with my wife the next day. Imagine that, a fictional character in a TV program makes you so mad you have to leave the room. You can’t watch it. Woah, what’s that all about?

In When Things Fall Apart, Pema Chödrön writes:

… no matter what the size, color, or shape is, the point is still to lean toward the discomfort of life and see it clearly rather than to protect ourselves from it.

This is what one of her teachers called “leaning into the pointy bits.” I decided to rewatch episodes 7 and 8, to lean into those pointy bits.

To my surprise, the second time through I hardly got angry at all. There were still moments when I did not like June, where I thought she was gloating, being unkind, letting her anger get the best of her. The Buddhists will tell you that loving kindness is the way. But I suppose when you have the injustices of the patriarchy raging down through the ages at you it is hard to forgive and forget, to turn the other cheek, even at the moment of the birth of enlightenment in a woman who was a part of inflicting great suffering on you.

As I have suggested, it is difficult for me to find a place to lodge myself within the Handmaid’s tale, there isn’t a male character that feels like me. Right now, it’s Serena who most feels like me, though the writers of this show rarely allow you to love a character for very long. They are all human after all, which is, I suppose, high praise for the show. What I realize though, is that I struggle most of all with June. I struggle with her warrior nature. I want her to be soft and receptive which is my (patriarchal) idea of the feminine. To know someone intimately is to know their sharp points as well as their soft curves. To love them is to lean into those points as well as to be received in the bliss of their enfolding arms. I think I have finally come to understand June and myself in a new way. Pema is right. Lean into the pointy bits, don’t run from them. I am looking forward to season 6.

What Would it Mean to Really Make Space for Mother-Artists

As quickly as mother-artists find ways to turn parenthood into something generative, of course, the system finds ways to delegitimize or challenge the value of that work.

2022-10-10

What caught my attention…

In Times Square and Sunset Strip, “American Gurl” Subverts Femininity… as i have stated before, i have an interest in all things feminine…

In contrast to a “singular idea,” the artists in “American Gurl” offer myriad depictions of women in America. Ayanna Dozier’s “Softer” (2020) critiques the societal demands that African-American women “soften” themselves, specifically through their appearance. Christine Yuan’s “Hoyeon as the International Woman of Mystery” (2022), originally commissioned by Vogue, casts Korean model and _Squid Game_ star Jung Ho-Yeon as an Irma Vep-style vamp who remakes herself for international (read American) consumption. “iGurl” (2022) by Sarah Nicole François is a disturbing digital vision of endless surgical enhancements in search of bodily perfection. “Can we keep up with the aesthetic pushed onto us?” questions Ahmed. “Can these surgeries actually work on us as fast as we can change ourselves online?” Other participating artists include Christelle de Castro, Kasey Elise Walker, Kitty Ca$h, and Leila Jarman.

Art Writing as an Extension of Life

As an arts writer, I am always envious when I find that someone has articulated not only art theory itself, but the way it is a natural part of life for someone who takes joy in the consideration of art. Chris Kraus did this brilliantly in _I Love Dick_(Semiotext(e), 1997); Morgan Meis does this with equal (and completely different) brilliance in _The Drunken Silenus_ (Slant Books, 2020). Randall manages this feat, as the title suggests, by contemplating 12 female artists who are important to her life.

With analysis that is either deeply intuitive or directly informed by personal experience or encounters, Randall presents the life of an artist as both subject and narrator. _Artists in My Life_dissolves the fourth wall between artist, art object, and viewer, offering a welcome approach to arts writing as an extension of how artists live.

The US Could Get Its First National LGBTQ+ History Museum… i only wonder how it will get through congress with so much anit-LGBTQ+ sentiment among conservatives…

A national museum dedicated to American LGBTQ+ history and culture could be coming to Washington, DC. United States Representative Mark Pocan introduced a bill on September 29 to establish the National Museum of American LGBTQ+ History and Culture, potentially as part of Washington, DC’s Smithsonian Institutions. Pocan is a Wisconsin Democrat who co-chairs the Congressional LGBTQ+ Equality Caucus.

The bill establishes an eight-person committee to conduct research into the potential museum, including how much its collection would cost and whether it should in fact be part of the Smithsonian. If the bill passes, the committee will have 18 months before presenting their findings to the House of Representatives, who will then vote on a second bill to establish the museum.

Nevada GOP Secretary of State Candidate Promises to Make Trump President in 2024

At a rally for Nevada Republican candidates on Saturday, Republican nominee for secretary of state Jim Marchant promised that he and his fellow GOP nominees, if elected next month, would reinstall Donald Trump in the White House in 2024.

“We’re gonna fix the whole country and President Trump is gonna be president again,” Marchant promised as Trump stood beside him.

Judge Blocks State Abortion Ban As Attempt “To Completely Eliminate The Rights of Ohio Women”

… who thought Gilead couldn’t happen…

According to affidavits submitted in the lawsuit, two additional minors who suffered sexual assault also had to leave the state for abortions. Cancer patients and other women with severe complications were also denied abortions. The Ohio Capital Journal summarized the evidence last month:

  • The descriptions include those of three women who threatened suicide. They also include two women with cancer who couldn’t terminate their pregnancies and also couldn’t get cancer treatment while they were pregnant. 
  • Another three examples were of women whose fetuses had severe abnormalities or other conditions that made a successful pregnancy impossible. Even so, they couldn’t get abortions in Ohio. 
  • And in three cases, debilitating vomiting was caused by pregnancy—so bad in one case that a woman couldn’t get off the clinic floor. But neither could these women get abortions in Ohio, the affidavits said.

National Constitution Center Project Offers Constitutional Amendment Proposals with Broad Cross-Ideological Support

In 2020, the National Constitution Center sponsored a constitution-drafting project in which   it named three groups to produce their own revised versions of the Constitution: a conservative team, a libertarian team, and a progressive one—each composed of prominent academics and other experts on constitutional law issues. The exercised revealed some important points of agreement between the three teams (even though they also predictably  differed on other issues). This year, NCC reconvened the three teams and asked them to come up with a list of constitutional amendments they could jointly agree on.

… and these were…

  • Term limits for Supreme Court justices
  • Making impeachment easier (would actually make starting impeachment harder, convicting easier)
  • Legislative Veto (wherein the legislature could veto executive action)
  • Eliminating the requirement that the president be a natural-born citizen
  • Making the Constitution easier to amend in the future

… most make sense on the face of it… the rest make sense upon reading the explanations…

July 22, 2022

… 231.8 lbs…

… stayed up to watch the J6 Select Committee hearing… it detailed 45’s determination that the capitol riot should stop the election from being certified by congress… there was not a huge amount of new information, but there was more flesh put on the bones, so to speak… whether it is yet demonstrable in a court of law, it is clear that 45 wanted and motivated the insurrection and that he had control of the mob, could have ended it at any time, but only did so when he saw the gambit had failed… of particular note to me was the way in which Liz Cheney reached out to women… she praised the women, by name, who had come forward to testify and reminded women of how hard they had to fight to win the right to vote… this from Heather Cox Richardson this AM…

At the end of the hearing, Cheney praised the witnesses, especially the women. She offered special thanks to Cassidy Hutchinson, who “knew all along that she would be attacked by President Trump, and by the 50-, 60-, and 70-year-old men who hide behind executive privilege,” but had courage to testify nonetheless. Cheney mentioned the female witnesses by name, saying they were “an inspiration to American women and to American girls.” 1

… and…

Speaking especially to the American women whose votes will be key to the upcoming election, she noted that the room in which they were meeting was where the committee on women’s suffrage met in 1918. We… “have a solemn obligation not to idly squander what so many Americans have fought and died for.” 2

… the committee reminded us that the threat is not over… that 45 is still trying to claim the election was stollen, still has the same devout followers enthralled and ready to go and still poses a threat to democracy…

… just posted a reply on HCR about Liz Cheney’s callout to women at the end of the hearing…

… this sculpture by Ai Weiwei is beautiful in appearance and concept…

https://i0.wp.com/hyperallergic-newspack.s3.amazonaws.com/uploads/2022/07/DSC05104-scaled.jpg?w=2048&quality=100&ssl=1

… i read this review of Nope and confirm the already growing feeling that i would like to see it…

an article on Crazy Kat and e e cummings is an intriguing read… i read it from beginning to end… one of George Herriman’s strips in the article…

https://www.theparisreview.org/blog/wp-content/uploads/2022/07/krazyreadskrazy-scaled-e1657729370264.jpg


… as i get the coffee ready for H, i am reminded of the sugar water spill she left last night… the floor a sticky mess… i get the mop out, set it up, leave instructions for how to use it…


… i head for Kitchen and Coffee… in a leisurely way… making photographs as i go… at one corner i stop to make a picture and two women in head scarves walk out from behind the building… they stop… i did not want people in the picture… one woman walks back behind the building… the other looks after her… i decide to make the picture with the woman in it… she turns at the instant i snap the picture and looks at me… i wonder if she somehow felt the camera on her… as i was editing yesterdays journal entry i ran across this…

… i think about this… divine attracts consciousness with the power of the sea’s liquid material manifestations… without consciousness, is there any divine?… the pansychic idea that everything has awareness… material at its most basic level has awareness, even if only attraction to that which attracts and in turn is attracted… this is the base level of awareness… to “know” something is adjacent…

… i am even more intrigued by the idea that she sensed me taking the picture and turned to see… i am not sure she liked that i did, but it was at a distance…

… loud talking barista is here today, though being relatively quiet… she is wearing a grey knit top and black stretch shorts down to just above her knees… i note that she has tattoos on both arms…

… the music is soft, easy to ignore… LM barista is talking about going to the pool after work…

… Etel Adnan…

In between there was Greece and Rome, but Rome’s gods, unlike Greece’s, seem to have left for good.3

… i think about this… it rings true… so much of western civilization resting on the foundations of ancient Greece, not Rome… EA observes that God “could be absolute darkness or absolute light,” and i think the only absolute is darkness, when it happens… the absence of light, the absence of consciousness… is there such a thing?… God, EA tells me, is “born out of the fear of pain, decay, or disappearance”… i nod, but my fears don’t create god for me except as absolute darkness… i reject the existence a separate from me they are everywhere and everything all at once… it is meaningless to consider God as some kind of apartness… which is the stance of worshiping, i and thou… rather… god… like the sea, is immersion, we simply can’t separate ourselves from God, if she exists… so what is worship but a kind of arrogance of the worshiper?… there is no point in naming Gods except to name ourselves… “eternity is death’s favorite name” EA tells me… “only consciousness is life,” and consciousness ends… or does it?… yes, in any way meaningful to me here and now… but perhaps not in general…

… a mother asking her toddler Ben what number he is… ten is apparently the right answer, i don’t know why… he’s a toddler, not a ten year old, so i don’t know the significance of ten to Ben… she makes a picture of him as he says to her “ten”… maybe a short video, that would make more sense… dad seems to prefer Benjamin to Ben…


… finished editing photos taken today… ran some errands to gather food for dinner and for dogs… on the way back stopped in a friends wine store and found out their son is sick… in the hospital… doctors not sure what is going on yet… they are waiting for more test results… then he told me his daughter’s dog had cancer and nothing can be done… a bad week he said… i did my best to comfort… glad he told me about it…

… chicken duties today… will plan to get there right at 5:30 as coup is likely to be hot… don’t want the chickens to be cooped up too early… some storms in the area… may cool things down a bit…

… i am delayed in my chicken duties by a thunderstorm passing through… as i am going to the car, a lightning bolt flashes in the near distance… i go back inside and watch the progression of the storm on my weather app… when it is safe i get in the car and go…



  1. Heather Cox Richardson, July 21, 2022 ↩︎

  2. Heather Cox Richardson, July 21, 2022 ↩︎

  3. Sea and Fog, Etel Adnan ↩︎

Of Course the Constitution Has Nothing to Say About Abortion | The New Yorker

As it happens, there is also nothing at all in that document, which sets out fundamental law, about pregnancy, uteruses, vaginas, fetuses, placentas, menstrual blood, breasts, or breast milk.

What Stood Out, Week 17

In this post I share an article on why Socialism is a turnoff for most of the people it might help.

I keep thinking that capitalism needs significant revision if not to be replaced by something altogether focused in a different direction. To me, it is obvious that the market capitalist system, built as it is on exploitation of resources and people, destroys as much value as it creates. Some form of socialism might help mitigate the situation and yet, working class and lower middle class American citizens have been taught that socialism is to their economic health as sunlight is to a vampire. Add to that the perception, not entirely unwarranted, that Democrats are elitist and out of touch with their issues.

Former Democratic Montana Gov. Steve Bullock has described the image of his party this way: “coastal, overly educated, elitist, judgmental, socialist — a bundle of identity groups and interests lacking any shared principles. The problem isn’t the candidates we nominate. It’s the perception of the party we belong to.”

In this post I share an article that explains the value proposition of capitalism, which is the pumping of wealth from “the periphery,”—cheap labor, undervalued resources—to the center where societies based on excessive appetite vacuum it up. The solution that is groped towards is to delink local economies by emphasizing the fulfillment of local needs with local and traditional production, while maintaining some international trade around things that might be unique to one place or another and of interest/value to a broader public because of its uniqueness, not a production cost difference.

It is important to note that delinking is often widely misunderstood to mean autarky, or a system of self-sufficiency and limited trade. But this is a misrepresentation. Delinking does not require cutting all ties to the rest of the global economy, but rather the refusal to submit national-development strategies to the imperatives of globalisation. It aims to compel a political economy suited to its needs, rather than simply going along with having to unilaterally adjust to the needs of the global system. To this goal of greater sovereignty, a county would develop its own productive systems and prioritise the needs of the people rather than the demands on international capital.

And then there was an article about the crisis of masculinity. What astonished me the most were the statistics about where women and men are, relatively, in the work force. It bares quoting again here.

Girls are now outperforming boys at nearly every level of education. They earn 60 percent of bachelor’s and master’s degrees, and comprise 70 percent of high school valedictorians. Women are also dominating many workplaces. Women today hold a majority of the nation’s jobs, including 51.4 percent of managerial and professional jobs—up from 26.1 percent in 1980. They make up 54 percent of all accountants and hold about half of all banking and insurance jobs. As for men, they are dropping out at alarming rates. More prime age males are out of the labor force today than during the Great Depression.

That’s huge progress for women. It makes the blowback of the patriarchal structure even more comprehensible. Not only is the mostly white, male power structure under threat from minorities who collectively will be a majority in the country in the near future, but even more so by women in general who are overtaking men in every category. It is no surprise that there is a strong push by this patriarchal structure to overturn democracy, and to hammer women back to the dark ages where they had no control over their bodies. Thus, the increasingly draconian laws passed that criminalize abortion and the intention of the same conservatives in this crowd to outlaw birth control.

I posted one of my favorite Moby Dick quotes which I will re-quote here.

I have perceived that in all cases man must eventually lower, or at least shift, his conceit of attainable felicity; not placing it anywhere in the intellect or the fancy; but in the wife, the heart, the bed, the table, the saddle, the fire-side, the country.

It seems to me that this sentiment, I would say truth, underlies an awful lot of significant film making and literature. Think, the Wizard of Oz (there’s no place like home), or, fresh in the theaters, Everything, Everywhere, All at Once. It also ties in with the delinking of local economies idea above. If the most important things are those that are close at hand, perhaps delinking is the way to go.

A New Book on Niki de Saint Phalle Presents the Artist In Her Own Words

In Drug Journey, an unpublished manuscript written in 1995, Niki de Saint Phalle wonders, “Does one have to go through catastrophe to arrive at vision?”

… if the world of this day is any indication… perhaps…

The Worst Person in the World Is Among the Best Portraits of Modern Womanhood, Eileen G’Sell, Hyperallergic

Add this to my list of must see movies…

Like so many women her age seemingly basking in professional and personal freedoms of which earlier generations could only dream, these choices come with consequences that can prove more burden than boon. “The only way to learn is to make choices and live them through,” Reinsve reasoned. “Some of them will be really stupid, and you will regret them, but that’s what life is like.” In terms of what she learned about herself through playing Julie, Reinsve responded with touching candor. “By the end of making the film, I couldn’t really tell the difference between us,” she confessed. “At the start, Julie is not able to accept herself; she is so restless … but going through some really big, hard losses … she learns to surrender to the chaos of life. I learned a lot from that process — the value of finding peace, and being proud, by making choices that really make you happy. To have the courage to be in your emotions, even if they are fucked up and hard and complex. It’s the only way.”

20220210-05

Bad Luck Banging or Loony Porn

… i read the review in AnOther magazine which i have been avoiding for days, largely because it was primal me that was interested in looking at it and i was trying to resist primal me… it surprised (disappointed?) me that it was not about the porn industry and was instead about societal attitudes towards sex and woman and largely about the polarization we are experiencing around the globe… i now want to watch it though with subtitles and it’s subject matter it will be a more difficult sell to H… a link to the trailer

Maria Popova, Women in Trees

(Maria Popova?) Oak-hopping in New Orleans, September 2020. (Photograph: Milène Lichtwarck.)

… about two books, Women in Trees, More Women in Trees, by Jochen Rains… a rare photograph of herself climbing through an oak tree… the subject of the books is a collection of photographs of women in trees… they are vintage and come from a time when it might have seemed unladylike to appear in trees… climbing trees is how so many children gain freedom from a world that is increasingly straightjacketing them… a freeing and adventurous thing to do in the confines of societal expectations, their neighborhoods, their schools… MP treats the act as a feminist gesture full of symbolism… from climbing trees to climbing corporate ladders is but the distance of a generation or two…

… on to Feedbin…

… Jonathan Blaustein wrote about his trip to Chicago this morning… i learn about Weedmaps.com, for the weed dispensary near you… i look up what might be near me and find that it’s all medical marijuana in NY… weed was recently legalized for recreational use too, but i imagine the state is still working out the regulations and how to enforce them…

… overall, JB reported on numerous pizza restaurants which seemed to be the only food they ate while in Chicago… i mean, who eats pizza all weekend long and doesn’t gain a few pounds doing it?… not me… not at this point in my life… i try to eat healthier than that…

… i review the work of Leonardo Magrelli, published on Aint-Bad, and think, ok, but not compelling… all black and white, city environment…

… i look over, read, Proud, Provocative Portraits That Celebrate Feminine Authenticity… a woman photographer and stylist pursuing a project called Girls… an area of interest as anyone reading this blog will know… yes, interested because of primal programming, but also interested in the subject of how women are presented in photoland… i am especially interested in cases where women photograph women in ways that will, whether intended or not, provoke the male gaze… this set of photographs provokes the male gaze and seems intended to…

Albertine Photography Guen Fiore, styling Rubina Vita Marchiori

_ A new series by photographer Guen Fiore and stylist Rubina Vita Marchiori celebrates the fearless authenticity of Gen-Z women_1

… the article tells us the women are photographed in their own homes (a safe environment)… the broad message, i will present myself as sexy if i want to, i am in control of that… a legitimate question to ask, does this promote women as much beyond being sex objects?… my answer, i am not sure… apparently there are photo sessions with each woman, that, presumably, lead to multiple images… are they all laced with sensuality?, showing the women in states of partial undress?… are they presented in any other way?… the artist’s instagram account suggests otherwise…

… i look at some of the comments on one post… that the women are “hot” is appreciated… the photographer has 34.5k followers… did they build that following with these images?… yes, almost all the images are attractive young women displaying their bodies in sensual, sexual ways… the following has been built on the fact that “sex sells,”…

… it think what bothers me is not that the women are presenting themselves sensually, sexually, but that it is a celebration of “fearless authenticity of Gen-Z women… only if women are to be defined by their sexuality… so the project tries to be high minded, but isn’t at all…


  1. Bruno, Gilda, Proud, Provocative Portraits That Celebrate Feminine Authenticity ↩︎

First Thoughts

… i am up at 3:30 AM… the effects of the daylight savings change… it will settle out, but i again ask why do we do this to ourselves?… an article on whether DST saves energy is inconclusive… it saves electricity consumed for lights, but may increase electricity and other fuels consumed to heat and cool… is it worth the disruption of sleep cycles?… can’t we find another way to adjust ourselves?… like start work an hour earlier and stop an hour earlier?… don’t most of us work 24/7 anyway?… aren’t more of us working from home now?…

… i read an article that suggests 45 is the odds-on favorite to win the presidency in 2024… dear god how is it possible?… bookmakers, please check your calculations again… i really don’t know what i will do if that happens…

… are we really being pushed to authoritarianism because it is more efficient?… were the Middle Ages really efficient for humankind?…

… an article discussing Texas law SB8… something about judicial immunity from law suits hampering the clear cut argument that the vigilante provisions of the law are a dangerous precedent that has the potential to undermine constitutional rights in a variety of ways… something about enjoining their clerks from working on enforcement of the law rather than judges… i didn’t completely understand…

… all of this on top of not feeling well… kind of tired… maybe it’s alcohol, though i don’t believe i overindulged last night… it does seem to sap me… just doesn’t agree with my system anymore?…

… started watching Rake, an Australian series featuring a rakish lawyer surrounded by a complex of beautiful, smart and accomplished women who frequently bare their breasts (along with the men in the show, but a man’s bare breast is way less interesting than a woman’s to me)…

… if i am honest, i am in it for the beautiful women characters who bare their breasts first, the story telling second… did i mention that the women characters are also smart and accomplished?…

… the story lines are interesting, the main characters all have redeeming virtues to balance their flaws, and there is a gamut of reasonably well rendered human complexity offered up… but denying i am powerfully attracted by the titillation is the same as saying one buys Playboy for the articles (does anyone still say that? Does Playboy still exist in any meaningful way?)… yes, there may be good articles, but really, it’s the tits and ass that matters…

… i come up against this uncomfortable truth over and over and over again… to the point where i throw up my hands in frustration at what to do… i know that society’s continued emphasis on women’s bodies is a mess of objectification that does women general harm in their efforts to be taken seriously as smart and accomplished individuals… but there is this primal thing… i am hardwired to be sexually attracted to women i think are beautiful… the mechanics of it are different for the two sexes (and i will leave aside for the moment all the gender fluid nuances that exist), but the bottom line is primal attraction is primal and it is not possible to eradicate it from my being…

… i can try not to be drawn into programming and imagery that gets my libido going, but why?… i enjoy having my libido engaged… it feels good… as long as it involves adults portrayed consensually and in consensual engagement, and as long as i am able to separate fantasy from reality, i set myself free to be titillated without guilt…

… i am coming to the conclusion that it is best not to try to ban libidinous reactions from my mind (not that i have ever really tried)… nor do i think i should be embarrassed by it (which i sometimes am)… instead, i need to acknowledge to myself how powerful they are, take note of when and how they are activated, then let them move through like clouds in the sky, enjoyed simply for what they are…

… what matters to me is how i treat women (all human beings really, but women are the focus here)… acknowledging my initial primal reaction (to myself) and then letting it pass through is, as far as i can see, my best strategy for moving on to a more respectful and satisfying relationship with the women i share the planet with…

Photographer: Kate Sweeny

Kate Sweeny

… nice photographs of young women, clothed and unclothed… an example of nude photography with women behind and in front of the camera… the artist tells us that the photographs are not about the objectification of women, but rather, about the celebration of women’s bodies as an art form in and of themselves and as natural presences in the world… which i believe… the photographs are, however, easy to view in a sexualized and objectified way, especially when they deploy tropes like wet fabric on the body as in the above image… i think we suffer from a lot of confusion about sex and sexuality, particularly in American Society, because there is a strong tendency to repress sexuality, and because the Patriarchy is so alive and well, it makes any young woman an object of sexual desire and any photograph of said young woman sexualized, when patriarchal eyes that are looking… i don’t see this as a reason not to make and display them… i do see a need to be honest about the variety of ways in which content can be perceived…

Tschabalala Self

Tschabalala Self, “Love to Saarjtie” (2015)

… yesterday i posted about Vanessa Beecroft and two local-to-me artists, Debbie Masters and Judy Sigunick…

… today, Tschabalala Self comes to my attention as painting in a related primitive vein, with the subject matter being woman… i find [the sexual frankness of some of this work](https://hyperallergic.com/wp-content/uploads/2021/08/Tschabalala-Self_Rainbow-Bronze-1_2021_70x48x22in.jpg “Tschabalala Self, “Rainbow Bronze I” (2021)") interesting in that women are addressing their genitals openly and frankly which is new to me… a new trend or have i not looked at enough contemporary art beyond photography?…1

… i am also finding it interesting that i am frequently seeing work by woman rendered in a Venus-Earth-Mother-Goddess way… is this a sign that the matriarchal spirit is trying to reclaim it’s place…

… these are just reactions… much more study needed to accurately identify a trend and the meaning of it as well as discuss the ins and outs of the representation of women in art…


  1. … there is a similar trend in photography where women are photographing other woman in the nude, though not usually revealing their genitals… it raises the question of whether it is objectification if a woman is the photographer… the conclusion i have come to is that yes, it can be objectifying and that objectification is not always and forever a bad thing… it can take its place gracefully in an enlightened culture that does not automatically devalue women to mere sex objects… unfortunately, we have a long way to go in the United States on that score… ↩︎

I Am So Apalled

… from this article i learned about a website where you can upload a photograph of any woman, and it will feed you back a very credible nude image of that woman… it should be illegal, but guess what, it’s not…

… you can imagine the variety of malignant uses the website can be put to…

… interestingly (not surprisingly?), it doesn’t work at all on men, unless you want to imagine what they might be like as a woman…

… how low can we go…

… and on that note, i am off to walk, contemplate and make pictures…

Eve Adams

I have been following the blog Body Impolitic, written by Laurie Toby Edison. Today I read her post about Eve Adams and was moved by it. The final paragraph in the post:

Eve Adams is worth remembering both for her accomplishments and for her fate. In the end, in the hell of the camps, who she was, what she wrote, who she loved, and what she believed was dissolved and erased. Everyone who died in the camps, everyone who dies at the hands of the police, everyone who is deported today to a dangerous homeland, everyone who dies of abuse of any sort should be remembered both for their individuality and for their common experience. The celebrated and deported Lesbian activist writer dies next to the housewife who never left her home village, and nothing about any of their deaths is inspirational, or hopeful.1

Ms. Edison describes herself this way.


  1. https://laurietobyedison.com/body-impolitic-blog/2021/07/eve-adams-a-life-that-should-not-be-prettified/ ↩︎

04 Paul Phung, Sisterhood

… to encounter Paul Phung’s portfolio, Sisterhood, immediately after spending time with Jenna Westra’s Afternoons, is interesting to say the least… the parallels are significant… Phung’s project shoots women who are dancers… Westra’s project shoots women who are dancers… both make claims to displaying feminine intimacy, though Westra’s work is a deeper study of the feminine…

… costuming has removed the sexuality of female bodies as in issue in Phung’s work, the women dance in robes with copious amounts of fabric which hide features of the female body that could signify overt sexuality…

… largely, i react to Phung’s work as a study of dance and female dancers… the choreography is not that of the artist as it is in Westra’s work, and Phung remains removed from the work since he does not, could not, participate in it as subject, and he photographs from a distance, no close in crops…

… i enjoy Phung’s photographs, they are well done, but they actually lack the intimacy claimed, which is further made remote by dance representations of what intimacy amongst women is…

03 Jenna Westra, Afternoons

… i’ve taken my first page by page tour through Afternoons, by Jenna Westra

… here is what i notice…

… the artist includes photographs of herself throughout and uses a cable release in several of the portraits which marks the portraits as self portraits and identifies her amidst the multiple women who are subjects of photographs in the book…

… thus, one woman in particular, the artist, has prominence in the book as the only individual with a name and a presence that goes beyond studies of form and the feminine… the choice to include herself without such clear identification for the other women is significant and shifts what the book would be without it… yes, the other women are sometimes identified in the title of a picture, all, i presume, are listed at the end… it’s not possible to be certain, as there is a list of names but only as individuals to be thanked, one wonders about these choices…

… keeping the female subjects of the photographs largely unidentified supports the feminine generalities of the book…

… there are full and partial nudes in the book… they are outnumbered by images of women with some kind of clothing on… only one of the nudes1 strikes me as being at all sexual, attractive to the male or female gaze… a woman’s sex potential is not an overt theme of the book, rather, it is feminine form, femininity and an intimate society of women together… it is not to be assumed that the women are lesbians either… they are there, with each other, as a sisterhood… or perhaps, as alter egos, different dimensions, of the artist herself…

… the book is well done, a mixture of black & white and color images, it has a nice pace…

… there are layers of intent and meaning to peel away, more is revealed with each pass through the book…

… a very nice photobook experience…


  1. Not surprisingly, this is one of three images used to represent the book, the idea that sex sells is alive and well, even in a non-profit store dedicated to the work of book artists. To say it promises more than the book delivers is an understatement. ↩︎

03 Afternoons, Jenna Westra

… i ordered this book prior to leaving on vacation, forgot that i had, was pleasantly surprised to see it in the mail pile when i returned…

… for some time now i have been interested in the subject of women in photography, as subject/object, as photographer, as critic… i became especially interested in the “male gaze” vs the “female gaze,” as i was noticing increasing numbers of women photographers photographing other women nude… i often found the nude images made by women as “male gaze” provocative as those made by men, and wondered how that squared with the feminist idea that it is not helpful that women are continually objectified as sexual objects, not to be taken seriously as intelligent accomplished beings in their own right…

… i ordered this book because it is entirely about the female body, singularly or with other female bodies, with some full or partial nudity, but as often dressed and posed in ways that allow an appreciation of youthful feminine form without being open to an overly sexual read…

… from the opening essay by Orit Gat…

Many of the photographs feature degrees of nudity. Once this book, these photographs, are out in the world, the tender consciousness of being seen between the models and the artist or the cameral shifts. Whatever eyes rest on them, though, will recognize different things in their freedom. It’s hard, maybe impossible, to talk about a female gaze without it reading like a translation of the terminology of the male gaze. The comfort nude women feel around one another will read as familiar to many, and like a secret society to others. The photos do not explore the difference per se, but they also do not generate tension around the history of nude representation. Instead, there is tenderness.1

… it’s a deep subject that has brought lots of feminist literature into my library, Simone de Beauvoir’s Second Sex, for example…

… the biggest thing i have learned is that consent, then intent, matter… the models should always have agency in both agreeing to be photographed, how they are photographed and how the photographs are to be used after being made… intent also matters… and even when intent serves a good purpose, is not objectification of subject, the image can always be appropriated as such when it engages the male gaze, which often is the case…


  1. Gat, Orit. Forward to Afternoons, Westra, Jenna. Published by Hassla, 2020. ↩︎

20210614.07

… my vacation reading material…

… have been reading most things i can get my hands on about women and photography… all aspects… women as subjects(objects), photographers, critics, historians… this book is an anthology of writings on photography by women… the last few essays have been interesting looks at the role of photography in conflict, politics and empire building… one in particular written by Gen Doy on the Paris Communeat the conclusion of the Franco-Prussian war seems to channel some aspects of current political and economic forces at play…

04 Jenna Westra, Afternoons

Jena Westra, from Afternoons

… Brad Feuerhelm gives this book a highest recommendation, stating that it is as near perfect a photobook as could be… i recognize the name of the artist which makes it likely i’ve run across the work before…

In the case Jenna Westra’s Afternoons (Hassla, 2020), several factors within the book suggest a return to the body as an act less of political dialogue, but more as an act of balance. Westra employs gesture and a number of interesting sculptural tactics to create a world where the feminine is embraced without men involved at all and unlike Girl Pictures, the emphasis is not on fantasy, but on reality, collaboration, and intimacy.1

… the book is about the shape and form of women… young women… it feeds my rabbit hole… i ordered it…


  1. Brad Feuerhelm: https://americansuburbx.com/2021/05/jenna-westra-afternoons.html ↩︎

04 Motherhood Penalty

… [an article](https://hyperallergic.com/645965/the-very-real-motherhood-penalty-in-the-art-world/ “The Very Real “MOtherhood Penalty” in the Art World”) on how women are penalized in their professional careers for having children… the art world is no different, given its male domination… and here is an interesting quote:

The cultural industry contributes a greater share to the United States gross domestic product than agriculture, transportation, or construction, proving that creative work is **work.1


  1. Kealey Body: https://hyperallergic.com/645965/the-very-real-motherhood-penalty-in-the-art-world/ ↩︎

06 What’s in a name?

… interesting article on the problem with naming women artists, who’s histories are all too often tied up with men more famous then they during their lifetimes… and then there are the ways that the patriarchy patronizes women when it names them…

In 2017, French novelist Marie Darrieussecq’s succinct biography of early 20th-century German painter Paula Modersohn-Becker, Being Here Is Everything, was published in English. In it, Darrieussecq calls her subject Paula, while the poet Rainer Maria Rilke, who was her friend, is called Rilke. When asked about this disparity in The Paris Review, Darrieussecq was blunt, “It’s the truth about men and women. It still is. It’s hard to have a name when you’re a woman.”1


  1. Bridget Quinn: https://hyperallergic.com/647091/what-should-we-call-the-great-women-artists/ ↩︎

05 About Abortion Rights

Middlebury College economist Caitlin Knowles Myers projects that overturning Roe might reduce the annual number of abortions by about 14 percent. “A post-Roe United States isn’t one in which abortion isn’t legal at all,” Myers told The New York Times. “It’s one in which there’s tremendous inequality in abortion access.”1

… having just been thinking about atrocities and the atrocious, i encounter this article and wonder, why are these “atrocities” so important to stop, and others not?… the same Christians so adamant about abortion are pro Israel in spite of its atrocious treatment of Palestinians… the same Christians many decades ago lynched black men and women(?)… there is something unique about the unborn child?… i suspect it is a useful political issue for rallying the faithful as well as a means of oppression of women, especially women of color…

… pro choice advocates are resigning themselves to further restriction of abortion after the Supreme Court agreed to hear a case out of Mississippi…

… we are not logical animals… we are primal and political animals… the ability to reason only means we can work out a defense for atrocities and the atrocious…


  1. Jacob Sullum: https://reason.com/2021/05/20/will-pro-life-politicians-face-a-backlash-if-the-supreme-court-lets-them-restrict-abortion/ ↩︎

07 Personal and Political by Elin Spring

_“The personal is political” was the slogan of second wave feminism. In this deftly interwoven exhibit, curator Karen Haas features photographers working 1965-1985 from Canada to Latin America in a demonstration of how women’s personal lives were inextricably linked to cultural and political inequalities. The provocations and inspirations of the Civil and Equal Rights movements share many qualities with our current #MeToo and #BlackLivesMatter movements. “Personal and Political” sheds light on a vibrant historical narrative, offering a perspective that brings our own times into sharper focus.1

this article reviews an exhibit at The Museum of Fine Art, Boston, featuring women photographers active during the years 1965-1985… i would definitely go see the exhibition if i were in Boston, even if women in photography weren’t my personal rabbit hole… some great images in the show, here are a couple…

“Patti Smith, New Orleans” Annie Leibovitz (American, born in 1949) 1978. Photograph, chromogenic print Gift of Jan Colombi and Jay Reeg Courtesy Museum of Fine Arts, Boston.

“Bathroom Surveillance, or Vanity Eye” Martha Rosler (American, born in 1943) 1966–1972. Photograph, inkjet print (photomontage)

Museum purchase with funds donated by Scott Offen Courtesy Museum of Fine Arts, Boston.


  1. Elin Spring: https://www.whatwillyouremember.com/personal-and-political-women-photographers-1965-1985-at-mfa-boston/?utm_source=feedly&utm_medium=rss&utm_campaign=personal-and-political-women-photographers-1965-1985-at-mfa-boston ↩︎