Notes On Attention Paid

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What i read today…

Heather Cox Richardson, Letters from an American, December 07, 2021… the heroism and death of Messman Doris Miller, a black man, in WW II… he was on board the U.S.S. West Virginia in Pearl Harbor when the Japanese attacked… he survived the sinking of the West Virginia but later perished when the U.S.S. Liscome Bay was sunk by a Japanese Torpedo, November 24, 1943…

I hear a lot these days about how American democracy is doomed and the reactionaries will win. Maybe. But the beauty of our system is that it gives us people like Doris Miller. Even better, it makes us people like Doris Miller.

In Defense—God Help Us—of Lauren Boebert, Chris True… i read the article and understand the point being made, but on the fence about whether i agree… my great frustration is that individuals that “no decent person … should give the time of day” get the time of day, get traction, take cover behind the protections of the system they are working towards dismantling… it puts those of us who want to stop them at a great disadvantage… we may be at a place where lines have to be drawn… on the other hand, it is a slippery slope…

No decent person should give Lauren Boebert the time of day. Congresswoman Boebert, however, is a different story. Congresswoman Boebert is representing over 700,000 people and those 700,000 people deserve the same representation in Congress as everyone else, even if that makes Democrats feel unsafe. Sticking to your principles often does._  International Court of Justice Rules Azerbaijan Must Stop Destroying Armenian Cultural Heritage in Artsakh, Yelena Ambartsumian… the ICJ apparently has the authority to refer its decisions to the UN Security Council which has the authority to do something about it… i am in sympathy based on what the article tells me, but wonder how straightforward the issue really is… last night Rachel Maddow’s opening monologue talked about the taking down of monuments to war heroes of the Confederacy… would the Confederacy, such as it exists today, have the right to appeal to the ICJ for relief?…

… a cartoon by Guy Richards Smit in Hyperallergic… last week, on Deadline Washington, Donny Deutsch lamented that the people he talked to in his crowd (he’s pretty wealthy) weren’t particularly concerned with whether democracy survives or not…

The Power of the Dog Is a Different Kind of Western Film, Ela Bittencourt, Hyperallergic…

In Jane Campion’s elegant adaptation of Thomas Savage’s novel The Power of the Dog, nature is an instrument of both wonder and violence.

The audacity of the original book comes from Savage combining a heated sibling rivalry, an illicit love story, the Western myths of male virility, and a murder mystery all within its slim pages.

How Marisol, “the True Trailblazer,” Paved the Way for Andy Warhol, Karen Chernick… “Behind every great man there’s a great woman.”… Marisol was quite well recognized at the time, so, not living in the shadows… but… an interesting exhibition…

Marisol, “Andy” (1962–63) (Guggenheim Abu Dhabi, image © Acquavella LLC (1962-63), © 2021 Estate of Marisol / Artists Rights Society (ARS), New York)

The Hungry Eye: Eating, Drinking, and European Culture from Rome to the Renaissance, Leonard Barkan, review by Lauren Moya Ford, Hyperallergic… for art lover epicureans… there don’t appear to be recipes, but i suppose we can find our own…

… this image from the book catches my attention in particular… so many layers to dig through…

Joos van Cleve, “The Holy Family” (c. 1512-13) (the Metropolitan Museum of Art, New York)

New Study on NFTs Deflates the “Democratic” Potential for the Medium, Jasmine Liu, Hyperallergic… yesterday i upgraded my micro.com subscription to premium to take advantage of the new email signup feature and begin posting short videos which i call video stills… i was ambivalent about doing this because i have viewed these video stills as ideal for the NFTA world… it is interesting to see that the market is shaping up to be a reflection of the physical art world system of value creation and art distribution, where there are taste makers serving as intermediaries advising the well to do on their art purchases… i struggle with this system because it is exploitative and elitist and a direct reflection of the power structure in which art is created… artists don’t often make out well trying to participate in this system… i don’t have to make money from my art at present, so i don’t have to participate in the system if i don’t want to, and lately, i don’t want to… right now, i create my art and offer it for free on a platform that isn’t profiting from my free content…